Skip to content

Thomas Trosch

New Paintings

January 25 – March 2, 2024

Thomas Trosch
Thomas Trosch
Thomas Trosch
Thomas Trosch
Thomas Trosch
Thomas Trosch, The Séance, 2024

Thomas Trosch

The Séance, 2024

Oil and graphite on canvas

42 x 48 inches

Thomas Trosch, Lady with Jeweled Gown, 2024

Thomas Trosch

Lady with Jeweled Gown, 2024

Oil and zirconium on panel

16 x 12 inches

Thomas Trosch, The Striped Salon, 2024

Thomas Trosch

The Striped Salon, 2024

Oil and graphite on canvas

36 x 42 inches

Thomas Trosch, The Momentous Decision, 2024

Thomas Trosch

The Momentous Decision, 2024

Oil on panel

18 x 24 inches

Thomas Trosch, Red Painting For Sale, 2024

Thomas Trosch

Red Painting For Sale, 2024

Oil and graphite on canvas

42 x 48 inches

Thomas Trosch, My White Knight, 2024

Thomas Trosch

My White Knight, 2024

Oil on canvas

36 x 30 inches

Thomas Trosch, The Lady and The Colonel, 2024

Thomas Trosch

The Lady and The Colonel, 2024

Oil and graphite on canvas

50 x 44 inches

Thomas Trosch, The Blue Sculpture, 2024

Thomas Trosch

The Blue Sculpture, 2024

Oil on panel

24 x 30 inches

Thomas Trosch, The Cyclops, 2022

Thomas Trosch

The Cyclops, 2022

Oil on panel

18 x 24 inches

Thomas Trosch, The Cars, 2023

Thomas Trosch

The Cars, 2023

Oil and graphite on canvas

60 x 72 inches

Thomas Trosch, The Gala, 2022

Thomas Trosch

The Gala, 2022

Oil and colored pencil on panel

16 x 20 inches

Thomas Trosch, Two Ladies in Gowns, 2024

Thomas Trosch

Two Ladies in Gowns, 2024

Oil and colored pencil on panel

24 x 30 inches

Thomas Trosch, The Lady and The Parrot, 2024

Thomas Trosch

The Lady and The Parrot, 2024

Oil on panel

24 x 18 inches

Press Release

Fredericks & Freiser is pleased to announce an exhibition of new paintings by Thomas Trosch. Over the past 30 years Trosch has developed a cult following for his energetic and curiously sensitive oil paintings that depict posh women in art-filled settings. Trosch began his career exhibiting regularly in New York and Los Angeles. Now, he lives in Baltimore and rarely releases his work. This will be his first solo show since 2017.

 

Thomas Trosch’s delightfully eccentric paintings function as both highly personal statements on an artist’s life among the privileged class and a critical riposte to the formal principles of modernism (or any “ism”, for that matter). Since his first exhibition in 1992, Trosch has depicted fancifully dressed women, art, and the rapaciousness of collecting with a skewed mannerism that transforms every figure into an abstraction and every abstraction into a burlesque.

This backdrop can be read on multiple levels. There are connections to styles and artists of the past. However, Trosch is not interested in creating a dialogue with historical forms so much as he is in reaching back in time to a Vogueinspired, mid-century heyday and imagining a world where bare-chested artists and art world doyennes conspire against the rigidity of heteronormative aesthetics.