Skip to content

Caroline Absher

Back to Oz

May 11 – June 17, 2023

Caroline Absher
Caroline Absher
Caroline Absher
Caroline Absher
Caroline Absher
Caroline Absher
Caroline Absher
Caroline Absher
Caroline Absher
Caroline Absher
Caroline Absher, The Agreement, 2023

Caroline Absher

The Agreement, 2023

Oil on canvas

84 x 72 inches

Caroline Absher, My Protector (The Dragon), 2023

Caroline Absher

My Protector (The Dragon), 2023

Oil on canvas

80 x 60 inches

Caroline Absher, The Dreamer, 2023

Caroline Absher

The Dreamer, 2023

Oil on canvas

80 x 60 inches

Caroline Absher, Dinner Party, 2023

Caroline Absher

Dinner Party, 2023

Oil on canvas

59 x 71 inches

Caroline Absher, Cat in the Grass, 2023

Caroline Absher

Cat in the Grass, 2023

Oil on canvas

86 x 56 inches

Caroline Absher, Moon Flowers, 2023

Caroline Absher

Moon Flowers, 2023

Oil on canvas

56 x 86 inches

Caroline Absher, The Last Time, 2023

Caroline Absher

The Last Time, 2023

Oil on canvas

60 x 48 inches

Caroline Absher, House Made of Moss, 2023

Caroline Absher

House Made of Moss, 2023

Oil on canvas

80 x 60 inches

Caroline Absher, Little Inchworm, 2023

Caroline Absher

Little Inchworm, 2023

Oil on canvas

72 x 58 inches

Caroline Absher, The Fairy, 2023

Caroline Absher

The Fairy, 2023

Oil on canvas

72 x 58 inches

Caroline Absher, Somewhere Only We Know, 2023

Caroline Absher

Somewhere Only We Know, 2023

Oil on canvas

72 x 58 inches

Press Release

Fredericks & Freiser is pleased to present a solo exhibition of new paintings by Caroline Absher. In recent years, Absher has become known for her energetic and highly intuitive paintings that shift styles and technique in search of an ecstatic iteration of her subjects and their surroundings. With these new large-scale works, Absher turns her focus to psychological spaces where mind and body merge. There is an interconnection between the inside and outside world. Equal parts abstract formations and lyrical brushwork, these paintings draw on the artist’s time as a solo world traveler, an experience that led her to turn inward and navigate her own emotional terrain.

 

“Back to Oz” embraces escapism as a form of exploration. For Absher, these paintings depict her personal version of “Oz” – a world built inside the mind of someone who escapes into daydreams. Inhabited by figures-- fairies, frogs, and fauna—this otherworldly realm is tethered to a connection between humanity and nature. Here, a primal force is at work, fostering a desire for self-discovery and a journey into the innate ability to know without knowing or as Walt Whitman described it “Seeking what is yet unfound.” Rather than capturing a version of reality, Absher brings the transcendental world to life. With fluidity of color and form, she bridges the gap between external and internal, inferring a collective and infinite ephemerality.