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Jocelyn Hobbie

New Paintings and Works on Paper

November 10 – December 10, 2022

Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie
Jocelyn Hobbie, Blooms on Fuchsia/Plaid Coat, 2022
Jocelyn Hobbie, Blonde in Verdure, 2022
Jocelyn Hobbie, Polka Dot Swoon, 2022
Jocelyn Hobbie, Wild Zinnias, 2022
Jocelyn Hobbie, Lapis Blue, Cherry Red, Gold Pom-pom Mums, 2022
Jocelyn Hobbie, Tulips/Jazz Flower, 2022
Jocelyn Hobbie, Sun Facing, 2022
Jocelyn Hobbie, Grove, 2022
Jocelyn Hobbie, Thuya Garden, 2020
Jocelyn Hobbie, Purple Madder Flowers, 2022
Jocelyn Hobbie, Fuchsia Dress/Plant Motif, 2022
Jocelyn Hobbie, Swoon (work on paper), 2022
Jocelyn Hobbie, Tapestry, 2022
Jocelyn Hobbie, Night, 2022
Jocelyn Hobbie, Pink, Purple & Gold Vest, Arms Raised, 2022
Jocelyn Hobbie, Vines & Windowpane Shirt, 2022
Jocelyn Hobbie, Red & Blue Lattice Background, 2022
Jocelyn Hobbie, Prussian Blue with Flower Shapes, 2022
Jocelyn Hobbie, Red Dotted Shirt, Cerulean Background, 2022

Press Release

Fredericks & Freiser is pleased to announce an exhibition of new paintings and works on paper by Jocelyn Hobbie. Since the mid-90s, Hobbie has painted the female figure with a heightened naturalism and an enhanced degree of saturated color that reveals an uneasy relationship to realism and firmly roots these striking paintings in the age of post abstraction.

 

For this exhibition, Hobbie will exhibit paintings on canvas and paper completed over the last few years. Echoing styles as divergent as the expressive figuration of New Objectivity and the rich, layered patterning of Ukiyo-e, Hobbie hones a formal style in which neoclassical figures with lambent or emotionally obscure expressions are depicted amid boldly graphic clothing and vivid floral settings. Hobbie’s seamless, polished surfaces and dynamic compositions meld her subjects amid pictorial environments brimming with painterly precision. The canvases and works on paper have the elemental and thematic characteristics of portraiture, yet the artificiality of Hobbie’s crystalized women avert emotional specificity in favor of ambiguity. The atmosphere is mystical, sensual, and highly feminine. Hobbie’s female subjects exist proudly with a nonchalance that synthesizes themes of abundance and beauty with an elegiac detachment from contemporary life.

Jocelyn Hobbie was born in Northampton, MA. Her solo exhibitions include Jack Tilton Gallery, New York; GNYP Gallery, Berlin; Jessica Silverman, San Francisco (Upcoming).  Group shows include “Gloss” at Tick Tack, Antwerp; “Women in Paris” at Eric Hussenot, Paris; “Stockholm Sessions” at Carl Kostyal, Stockholm; “Female Now,” curated by Joan Tucker at Phillips, Hong Kong; “Vanishing Ocular,” curated by David Salle at Rental Gallery, East Hampton; “Hope and Hazard: A Comedy of Eros” curated by Eric Fischl at the Hall Art Foundation. She is featured in Painting People: Figure Painting Today by Charlotte Mullins, published by D.A.P.  This is her fourth solo exhibition at Fredericks & Freiser.