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Katelyn Ledford

Verso

January 15 – February 7, 2026

Katelyn Ledford
Katelyn Ledford
Katelyn Ledford
Katelyn Ledford
Katelyn Ledford
Katelyn Ledford
Katelyn Ledford
Katelyn Ledford
Katelyn Ledford
Katelyn Ledford, Keep Looking, 2025

Katelyn Ledford

Keep Looking, 2025

Acrylic and oil on canvas

60 x 48 inches

Katelyn Ledford, Free, 2025

Katelyn Ledford

Free, 2025

Acrylic and oil on canvas

30 x 24 inches

Katelyn Ledford, Miraculous Appearance of the Clown Artist, 2025

Katelyn Ledford

Miraculous Appearance of the Clown Artist, 2025

Acrylic and oil on canvas

60 x 48 inches

Katelyn Ledford, The End is Near, 2025

Katelyn Ledford

The End is Near, 2025

Acrylic and oil on canvas

60 x 48 inches

Katelyn Ledford, Shroud Almost Burning, 2025

Katelyn Ledford

Shroud Almost Burning, 2025

Acrylic and oil on canvas over panel

48 x 36 inches

Katelyn Ledford, The Painter's Altar, 2025

Katelyn Ledford

The Painter's Altar, 2025

Oil and acrylic on canvas

72 x 60 inches

Katelyn Ledford, Shroud Displayed, 2025

Katelyn Ledford

Shroud Displayed, 2025

Acrylic and oil on canvas

40 x 30 inches

Katelyn Ledford, Illumination, 2025

Katelyn Ledford

Illumination, 2025

Acrylic and oil on canvas

30 x 24 inches

Katelyn Ledford, Delicate, 2025

Katelyn Ledford

Delicate, 2025

Acrylic and oil on canvas

30 x 24 inches

Katelyn Ledford, Forgotten Clown Drawing, 2025

Katelyn Ledford

Forgotten Clown Drawing, 2025

Acrylic and oil on canvas over panel

12 x 9 inches

Katelyn Ledford, Not, 2025

Katelyn Ledford

Not, 2025

Acrylic and oil on canvas over panel

12 x 9 inches

Katelyn Ledford, Let's Go Back, 2025

Katelyn Ledford

Let's Go Back, 2025

Acrylic and oil on canvas

60 x 36 inches

Katelyn Ledford, The Clown Artist Appeared, 2025

Katelyn Ledford

The Clown Artist Appeared, 2025

Acrylic and oil on canvas

40 x 30 inches

Katelyn Ledford, Slight Burning, 2025

Katelyn Ledford

Slight Burning, 2025

Acrylic and oil on canvas over panel

12 x 9 inches

Press Release

Fredericks & Freiser is pleased to present an exhibition of new paintings by Katelyn Ledford. Known for virtuosic trompe-l’oeil and dark humor, Ledford constructs images where artifice, vulnerability, and bravado collide. Working exclusively with oil and acrylic on canvas, she renders wood grain, masking tape, lace, and denim with the charged aura of stage props. In her hands, illusion becomes performance.

 

In this new body of work, Ledford depicts the backs of painting stretchers as meticulously rendered spaces where confession and composure blur. Across these surfaces, phrases like let’s go back or free are painted with deliberate clarity, yet their meaning shifts as what first reads as material truth reveals itself as a performance of authenticity. Ledford’s realism understands its own artifice; it translates sincerity the way the internet simulates intimacy, through repetition, exaggeration, and distortion.

What makes her practice potent is the tension between devotional craft and the awareness that both painting and personhood are acts of construction. Her trompe-l’oeil labor becomes a metaphor for maintaining the self amid the constant pressure to appear real. Each image flirts with undoing, reaching for sincerity so hard it threatens to fall apart with a manic theatricality that feels both brave and overexposed. The humor here isn’t relief but pressure: slapstick leaking into pathos, camp into confession. These are paintings that know they’re being watched and respond in kind.

 

Katelyn Ledford (b. Austin, TX) lives and works in Jersey City, NJ. She received her MFA from the Rhode Island School of Design in 2019. She has been the subject of solo exhibitions at M+B, Los Angeles; Long Story Short, New York; Aishonanzuka, Hong Kong; DUVE, Berlin, and Dia Hora, Athens.