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Robert Overby

Black and Blue Binder and Other Works

March 6 through April 3, 2004

Robert Overby, Gender I ref #3, 07.03.1992

Robert Overby

Gender I ref #3, 07.03.1992

Watercolor on paper

4 7/8" x 4 1/8" (7 ½ x 5 7/8” overall) 
 

Robert Overby, Gender II ref #2, 07.03.1992

Robert Overby

Gender II ref #2, 07.03.1992

Watercolor on paper

5" x 4 1/4" (7 ¾ x 6 1/8” overall)

Robert Overby Untitled ref #5, 28.02.1993

Robert Overby
Untitled ref #5, 28.02.1993
Watercolor on paper
5 1/4" x 4 7/8" (10 x 8” overall)
 

Robert Overby, Untitled ref #7, 26.02.1993

Robert Overby

Untitled ref #726.02.1993

Watercolor on paper

5" x 4 1/4" (9 x 7 ½” overall)

 

Robert Overby, Untitled ref #10, 21.03.1992

Robert Overby

Untitled ref #10, 21.03.1992

Watercolor on paper

3 3/8" x 3" (4 ¾ x 3 5/8” overall) 

Robert Overby, Remember This Dream ref #33, 06-20.03.1989

Robert Overby

Remember This Dream ref #3306-20.03.1989

Watercolor and ballpoint ink on paper with watercolor on acetate overlay

5 7/8 x 5 5/8” (7 x 6 ½” acetate, 9 x 7 3/8” overall), 

Robert Overby Pop Lib ref #32, 14.01.89

Robert Overby
Pop Lib ref #32, 14.01.89
Watercolor and ballpoint ink on paper with watercolor on acetate overlay
5 7/8 x 5 ½” (6 7/8 x 6 ½” acetate, 11 x 8 ½” overall)
 

Robert Overby If Only ref #46, 01.07.1989

Robert Overby
If Only ref #46, 01.07.1989
Watercolor and ballpoint ink on paper
6 3/8 x 5 ½” (11 x 8 ½” overall)
 

Robert Overby, Pink Sink ref #51, 03.07.1989

Robert Overby

Pink Sink ref #51, 03.07.1989

Watercolor and ballpoint ink on paper

6 x 5 1/2" (11" x 8 ½” overall)

Robert Overby, What my eyes shall see ref #52, 03.07.1989

Robert Overby

What my eyes shall see ref #52, 03.07.1989

Watercolor and ballpoint ink on paper

5 ¼” x 4 7/8" (11"x 8 ½” overall), 

Robert Overby, Dancin' on the South Side ref #54, 03.07.1989

Robert Overby

Dancin' on the South Side ref #54, 03.07.1989

Watercolor and ballpoint ink on paper

5 ¾” x 5” (11 x 8 ½” overall)

Robert Overby, Zona Rosa (re-do)ref #50 , 02.07.1989

Robert Overby

Zona Rosa (re-do)ref #50 , 02.07.1989

Watercolor and ballpoint ink on paper

6 x 5 ¼” (11 x 8 ½” overall) 

Robert Overby Point ref # 58, 09.07.1989 

Robert Overby
Point ref # 58, 09.07.1989 
Watercolor and ballpoint ink on paper
5 ¾ x 5 1/8" (11 x 8 ½” overall)

Robert Overby, Black Hands ref #365, 1977

Robert Overby

Black Hands ref #365, 1977

Oil on canvas

48 ¼ x 61 ½”

Robert Overby, Madonna Ass ref #366, 1973-1977

Robert Overby

Madonna Ass ref #366, 1973-1977

Oil on canvas

19 ½ x 16 ½”

Robert Overby, Triangle Torso ref# 367, 1973-1977

Robert Overby

Triangle Torso ref# 367, 1973-1977

Oil on canvas

36 x 36"

Robert Overby, Stroke II ref #342, 1973

Robert Overby

Stroke II ref #342, 1973

Oil on canvas

48 x 36"

Press Release

Robert Overby

Black and Blue Binder and Other Works

March 6 through April 3, 2004

 

Fredericks Freiser Gallery is pleased to announce an exhibition of drawings and paintings by Robert Overby. The artist had his first New York solo exhibition with Fredericks Freiser Gallery in 1996, three years after his death. Since then he has had a retrospective exhibition at the UCLA Hammer Museum, Los Angeles. He has been included in group exhibitions at the Museum of Modern Art, New York and the Museum of Contemporary Art, Los Angeles. This exhibition coincides with a solo exhibition at Haunch of Venison, London and a survey of late paintings at the Luckman Fine Arts Complex, California State University, Los Angeles. This will be the artist’s fourth solo with Fredericks Freiser Gallery.

 

Robert Overby (1935-1993) created an eclectic body of work which was rarely exhibited during his lifetime. Despite a diversity of mediums and an equally wide range of subject matter, Overby returned consistently to the human form, whether in the geometry of domestic architecture or the female nude. His polyurethane stretches and ghost-like latex casts of walls and doors belong to the history of late 60s and early 70s experiments in anti-form, process art, and post-minimalism. His paintings of the same period as well as his mid-70s pornographic wood cut-outs and 80s image paintings explore issues of fragmentation, decay, and disintegration with a more referential sensibility.

 

 

 

 

Black and Blue Binder and Other Works features four major paintings dating from 1973 to 1977 and 18 drawings dating from 1988 to 1992 excerpted from two of Overby’s drawing binders. These are among the last works made by the artist. Here the iconography ranges from fractured faces to color grids to 1940s-style pin-ups, yet thematically they recall the four paintings in the exhibition as well as the earlier latex casts in their uncanny sense of ruin and the loss inherent in any human representation. They also underline Overby’s infatuation with referencing genres both high and low.

 

Fredericks Freiser Gallery is located at 504 West 22nd Street, between 10th and 11th Avenues. Gallery hours are Tuesday through Saturday, 11am to 6pm. For further information and/or photographs please contact the gallery by telephone at (212) 633-6555, fax at (212) 367-9502, or email fredericksfreiser@nyc.rr.com. Find more information on Robert Overby or any of our artists at www.fredericksfreisergallery.com.