Skip to content

Auguries of Innocence

January 23 – February 22, 2020

Auguries of Innocence
Auguries of Innocence
Auguries of Innocence
Auguries of Innocence
Auguries of Innocence
Auguries of Innocence
Auguries of Innocence
Auguries of Innocence
Auguries of Innocence
Auguries of Innocence
Auguries of Innocence
Auguries of Innocence
Auguries of Innocence
Alison Blickle, Sigil Skirt, 2020
Lamar Peterson, Untitled, 2005
Danica Lundy, Kiss the Clock, 2020
Todd Bienvenu, Hammock, 2019
Haley Josephs, Susanna, 2019
Cristina de Miguel, The Creation of Eve (After Blake), 2019
Cristina BanBan, Canto XXIV. La Casa De Las Ladronas, 2020
Orkideh Torabi, Where are all the houries?, 2018
Jamea Richmond-Edwards, Fur Trader, 2020
Todd Bienvenu, Seashell, 2019
Kelli Williams, The Wise Virgins, 2019
Cristina de Miguel, The Centaur, 2019

Press Release

Auguries of Innocence

January 23 through February 22, 2020

Opening Reception: Thursday, January 23, 6-8pm

 

Cristina BanBan

Todd Bienvenu

Alison Blickle

Haley Josephs

Danica Lundy

Cristina de Miguel

Lamar Peterson

Jamea Richmond-Edwards

Orkideh Torabi

Kelli Williams

 

 

“A dog starvd at his Masters Gate

Predicts the ruin of the State…”

-- William Blake, Auguries of Innocence

 

Lately, we’ve been thinking about the artist and poet William Blake. He looms large over this moment. With his blockbuster show at the Tate Britain, he seems to be a fitting touchstone to highlight the new strain of Romanticism that runs through much of today’s figurative painting.

The ten painters in this exhibition were presented with the idea of William Blake as an organizing principle. Blake’s poem, for which this show lifts its title, tracks the fate of innocence in a corrupt world. It provides a unifying context for a varied group of painters who depict deeply human figures emblematic of a world, like Blake’s, where vice sits side by side with virtue and mankind is on the verge of chaos.