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Lamar Peterson

New Work

December 8, 2005 – January 28, 2006

Lamar Peterson, Broken Clock, 2005

Lamar Peterson

Broken Clock, 2005

Acrylic on paper mounted on found clock

13 inches 33 cm

LP145

Lamar Peterson, The Priest, 2005

Lamar Peterson

The Priest, 2005

Acrylic on paper

26 x 22 1/2 inches 66 x 57.2 cm

LP144

Lamar Peterson, Balance, 2005

Lamar Peterson

Balance, 2005

Acrylic on paper

26 x 22 inches 66 x 55.9 cm

LP143

Lamar Peterson, Basquiat, 2005

Lamar Peterson

Basquiat, 2005

Acrylic on paper

37 x 30 inches 94 x 76.2 cm

LP142

Lamar Peterson, Circus Shoes, 2005

Lamar Peterson

Circus Shoes, 2005

Acrylic on paper

32 1/2 x 26 inches 82.6 x 66 cm

LP141

Lamar Peterson, People in the Shade, 2005

Lamar Peterson

People in the Shade, 2005

Acrylic on paper

40 x 30 1/2 inches 101.6 x 77.5 cm

LP140

Lamar Peterson, Michael Jackson in Winter, 2005

Lamar Peterson

Michael Jackson in Winter, 2005

Acrylic on canvas

37 x 40 inches 94 x 101.6 cm

LP139

Lamar Peterson, Holes, 2005

Lamar Peterson

Holes, 2005

Acrylic on paper

32 x 39 inches 81.3 x 99.1 cm

LP138

Lamar Peterson, The Ethereal Look of Scenes, 2005

Lamar Peterson

The Ethereal Look of Scenes, 2005

Acrylic on paper

35 1/2 x 30 inches 90.2 x 76.2 cm

LP137

Lamar Peterson, Mother Goose, 2005

Lamar Peterson

Mother Goose, 2005

Acrylic on paper

33 x 26 inches 83.8 x 66 cm

LP136

Lamar Peterson, The Imposter, 2005

Lamar Peterson

The Imposter, 2005

Acrylic on canvas

30 x 34 inches 76.2 x 86.4 cm

LP134

Lamar Peterson, Blind GIrl, 2005

Lamar Peterson

Blind GIrl, 2005

Acrylic on canvas

38 1/2 x 34 inches 97.8 x 86.4 cm

LP115

Lamar Peterson, The Painter, 2005

Lamar Peterson

The Painter, 2005

Acrylic on canvas

45 x 35 inches 114.3 x 88.9 cm

LP133

Lamar Peterson, Melting Ice, 2005

Lamar Peterson

Melting Ice, 2005

Collage on paper

14 1/2 x 11 1/4 inches 36.8 x 28.6 cm

LP131

Lamar Peterson, Caught, 2005

Lamar Peterson

Caught, 2005

Collage on paper

11 1/2 x 9 inches 29.2 x 22.9 cm

LP130

Lamar Peterson, Red Bow, 2005

Lamar Peterson

Red Bow, 2005

Collage on paper

12 x 9 inches 30.5 x 22.9 cm

LP129

Lamar Peterson, Armed Forces, 2005

Lamar Peterson

Armed Forces, 2005

Collage on paper

14 x 11 inches 35.6 x 27.9 cm

LP128

Lamar Peterson, Michael Jackson Made of Sand, 2005

Lamar Peterson

Michael Jackson Made of Sand, 2005

Collage on paper

10 1/2 x 8 inches 26.7 x 20.3 cm

LP127

Lamar Peterson, Cliff Hanger, 2005

Lamar Peterson

Cliff Hanger, 2005

Collage on paper

13 x 9 inches 33 x 22.9 cm

LP126

Lamar Peterson, Call Home, 2005

Lamar Peterson

Call Home, 2005

Collage on paper

17 x 12 inches 43.2 x 30.5 cm

LP125

Lamar Peterson, Modern Art, 2005

Lamar Peterson

Modern Art, 2005

Collage on paper

13 1/2 x 11 inches 34.3 x 27.9 cm

LP124

Lamar Peterson, Happiness, 2005

Lamar Peterson

Happiness, 2005

Collage on paper

11 x 8 inches 27.9 x 20.3 cm

LP123

Lamar Peterson, The Official, 2005

Lamar Peterson

The Official, 2005

Collage on paper

11 x 8 inches 27.9 x 20.3 cm

LP121

Lamar Peterson, Man Inside Poison Dart Frog, 2005

Lamar Peterson

Man Inside Poison Dart Frog, 2005

Collage on paper

9 3/4 x 6 1/2 inches 24.8 x 16.5 cm

LP120

Lamar Peterson, Paradise, 2005

Lamar Peterson

Paradise, 2005

Collage on paper

13 1/4 x 10 1/2 inches 33.7 x 26.7 cm

LP119

Lamar Peterson, Dio, 2005

Lamar Peterson

Dio, 2005

Collage on paper

12 x 9 inches 30.5 x 22.9 cm

LP118

Lamar Peterson, Latina, 2005

Lamar Peterson

Latina, 2005

Collage on paper

13 x 9 inches 33 x 22.9 cm

LP117

Lamar Peterson, Earth Smiling, 2005

Lamar Peterson

Earth Smiling, 2005

Collage on paper

13 x 9 inches 33 x 22.9 cm

LP116

Press Release

Fredericks & Freiser is proud to announce an exhibition of new work by Lamar Peterson. The exhibition will include paintings on canvas and paper as well as mixed-media collage. This will be Peterson°s first solo show at Fredericks & Freiser. A full color catalogue with an essay by Martha Schwendener will accompany the exhibition.

Lamar Peterson°s paintings tend to depict the suburban everyman (specifically the black suburban everyman and his nuclear family) in tableaux of pastoral leisure. His characters sport enormous smiles that beam out from their utopian settings, conveying at once a sense of child-like wonder and vacant plasticity. Yet this is a dream world, casual horror abounds¬faces melt, water rises up, unearthly creatures play with the children.

“Peterson has described this body of work as ‘a diary,’ a catalog of recent events, from the media-frenzied Michael Jackson trial to Basquiat's recent retrospective at the Brooklyn Museum, to revelations about Kate Moss using cocaine. All of this–the circus

 of pop culture, entertainment, and art–is background noise, of course, for the greater historical moment: post-9/11, war, global terrorism. Like the Surrealists, whose images reflected the complicated era in which they lived, the dream space of Peterson°s painting has been invaded, however subtly, by the Daliesque ‘premonitions of war.’ In this context, the ever-present smile of his early paintings has become frighteningly ambiguous. Before, we could believe in a bit of its manic, magic cheerfulness. Now it’s downright suspect, a mask that begins to look insidious even to its wearers.” ~Martha Schwendener

About the Artist
Peterson was born 1974 in St. Petersburg, Florida. He lives and works in New York. Lamar Peterson has had solo exhibitions at The Studio Museum of Harlem, NY; Richard Heller Gallery, CA; Deitch Projects, NY. He has exhibited in numerous group shows including the Fifth International SITE Santa Fe Biennial 2004, NM; The Drawing Center, NY; Boston Center for the Arts, MA; Weatherspoon Art Museum, Greensboro, North Carolina.