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Lamar Peterson

New Work

December 8, 2005 – January 28, 2006

Lamar Peterson, Broken Clock, 2005
Lamar Peterson, The Priest, 2005
Lamar Peterson, Balance, 2005
Lamar Peterson, Basquiat, 2005
Lamar Peterson, Circus Shoes, 2005
Lamar Peterson, People in the Shade, 2005
Lamar Peterson, Michael Jackson in Winter, 2005
Lamar Peterson, Holes, 2005
Lamar Peterson, The Ethereal Look of Scenes, 2005
Lamar Peterson, Mother Goose, 2005
Lamar Peterson, The Imposter, 2005
Lamar Peterson, Blind GIrl, 2005
Lamar Peterson, The Painter, 2005
Lamar Peterson, Melting Ice, 2005
Lamar Peterson, Caught, 2005
Lamar Peterson, Red Bow, 2005
Lamar Peterson, Armed Forces, 2005
Lamar Peterson, Michael Jackson Made of Sand, 2005
Lamar Peterson, Cliff Hanger, 2005
Lamar Peterson, Call Home, 2005
Lamar Peterson, Modern Art, 2005
Lamar Peterson, Happiness, 2005
Lamar Peterson, The Official, 2005
Lamar Peterson, Man Inside Poison Dart Frog, 2005
Lamar Peterson, Paradise, 2005
Lamar Peterson, Dio, 2005
Lamar Peterson, Latina, 2005
Lamar Peterson, Earth Smiling, 2005

Press Release

Fredericks & Freiser is proud to announce an exhibition of new work by Lamar Peterson. The exhibition will include paintings on canvas and paper as well as mixed-media collage. This will be Peterson°s first solo show at Fredericks & Freiser. A full color catalogue with an essay by Martha Schwendener will accompany the exhibition.

Lamar Peterson°s paintings tend to depict the suburban everyman (specifically the black suburban everyman and his nuclear family) in tableaux of pastoral leisure. His characters sport enormous smiles that beam out from their utopian settings, conveying at once a sense of child-like wonder and vacant plasticity. Yet this is a dream world, casual horror abounds¬faces melt, water rises up, unearthly creatures play with the children.

“Peterson has described this body of work as ‘a diary,’ a catalog of recent events, from the media-frenzied Michael Jackson trial to Basquiat's recent retrospective at the Brooklyn Museum, to revelations about Kate Moss using cocaine. All of this–the circus

 of pop culture, entertainment, and art–is background noise, of course, for the greater historical moment: post-9/11, war, global terrorism. Like the Surrealists, whose images reflected the complicated era in which they lived, the dream space of Peterson°s painting has been invaded, however subtly, by the Daliesque ‘premonitions of war.’ In this context, the ever-present smile of his early paintings has become frighteningly ambiguous. Before, we could believe in a bit of its manic, magic cheerfulness. Now it’s downright suspect, a mask that begins to look insidious even to its wearers.” ~Martha Schwendener

About the Artist
Peterson was born 1974 in St. Petersburg, Florida. He lives and works in New York. Lamar Peterson has had solo exhibitions at The Studio Museum of Harlem, NY; Richard Heller Gallery, CA; Deitch Projects, NY. He has exhibited in numerous group shows including the Fifth International SITE Santa Fe Biennial 2004, NM; The Drawing Center, NY; Boston Center for the Arts, MA; Weatherspoon Art Museum, Greensboro, North Carolina.