Mary Reid Kelley
Courtesan on Stage, 2023
Watercolor, gouache and acrylic on collaged paper
29.5 x 24 inches
Mary Reid Kelley
Europa Yammered, 2022
Watercolor and acrylic on collaged paper
14 x 11 inches
Mary Reid Kelley
Said Europa, Bullishly, 2022
Watercolor and acrylic on collaged paper
14 x 11 inches
Mary Reid Kelley
Europa Mooed, 2022
Watercolor and acrylic on collaged paper
14 x 11 inches
Mary Reid Kelley
Said Europa Briefly, 2022
Watercolor and acrylic on collaged paper
14 x 11 inches
Mary Reid Kelley
Zucchini Farmer, 2022
Watercolor, gouache and acrylic on collaged paper
37 1/8 x 29 inches( paper size)
Framed: 40 1/2 x 32 x 1 1/2
Mary Reid Kelley
Drama Coach, 2022
Watercolor, gouache and acrylic on collaged paper
28 1/2 x 25 1/2 inches (paper size)
Framed: 31 1/2 x 28 1/2 x 1 1/2
Mary Reid Kelley
Philosopher, 2022
Watercolor, gouache and acrylic on collaged paper
37 1/2 x 35 1/4 inches (paper size)
Framed: 41 1/2 x 38 1/4 x 1 1/2
Mary Reid Kelley
Girl from Seville, 2022
Watercolor, gouache and acrylic on collaged paper
54 5/8 x 35 1/2 inches ((paper size)
Framed: 57 3/4 x 38 1/2 x 1 1/2
Mary Reid Kelley
Lady from Rhodes, 2022
Watercolor, gouache and acrylic on collaged paper
45 3/8 x 3 7 5/8 inches (paper size)
Framed: 48 1/2 x 40 1/2 x 1 1/2
Mary Reid Kelley
Europa, 2022
Watercolor, gouache and acrylic on collaged paper
80 x 39 inches (paper size)
Framed: 83 x 42 x 2
Mary Reid Kelley
Lady from Ictus, 2022
Watercolor, gouache and acrylic on collaged paper
79 x 38 inches (paper size)
Framed: 82 x 41 x 2
Mary Reid Kelley
Poet, 2022
Watercolor, gouache and acrylic on collaged paper
41 1/2 x 30 1/3 inches
Framed: 41 1/2 x 30 1/2 x 1 1/2
Mary Reid Kelley & Patrick Kelley
Night Kitchen, 2021
Plaster, wood, metal pipe, paint, LED screens
80 x 22 x 22 inches
Mary Reid Kelley & Patrick Kelley
The Rape of Europa, 2021
High-definition video with sound
9 minutes and 7 seconds
Mary Reid Kelley & Patrick Kelley
Rand/Goop, 2022
6 channel video installation of floating heads in individual wooden boxes
13 minutes and 30 seconds
2/3
Mary Reid Kelley
Lady with a Fan, 2021
Watercolor and acrylic on collaged paper
35 x 27 inches
Mary Reid Kelley
Yogurt Maker, 2021
Watercolor and acrylic on collaged paper
33 x 25 inches
Mary Reid Kelley
Listen, Pisces, 2020
Acrylic & wax crayon on mulberry paper
30 x 20 inches
Mary Reid Kelley
Your Muff, 2020
Wax crayon and acrylic paint on rice paper
20 1/2 x 17 inches
Mary Reid Kelley
Shit Kitten, 2020
Wax crayon on rice paper
29 1/2 x 19 inches
Mary Reid Kelley
Ambient Feminism, 2020
Wax crayon and acrylic paint on rice paper
25 1/4 x 18 1/2 inches
Mary Reid Kelley
Say, Doc, 2020
Wax crayon and acrylic paint on rice paper
34 x 26 inches
Mary Reid Kelley and Patrick Kelley
Harry S. Truman, 2017
Lightbox
27 1/8h x 31 3/8w x 1 3/4d in
68.90h x 79.69w x 4.45d cm
Edition of 4 plus 2 APs (#2/4)
Mary Reid Kelley and Patrick Kelley
Torpedo Juice, 2017
Lightbox
74 5/8h x 37 5/8w x 1 3/4d in
189.55h x 95.57w x 4.45d cm
Edition of 4 plus 2 APs (#2/4)
Mary Reid Kelley and Patrick Kelley
Gaudy Night, 2017
Lightbox
38 3/8h x 80 1/8w x 1 3/4d in
97.47h x 203.52w x 4.45d cm
Edition of 4 plus 2 APs (#2/4)
Mary Reid Kelley and Patrick Kelley
U.S.S. Augusta, 2017
Lightbox
21 3/4h x 18 7/8w x 1 3/4d in
55.25h x 47.94w x 4.45d cm
Edition of 4 plus 2 APs (#2/4)
Mary Reid Kelley
My Heart Was Cut Out, 2016
Gouache and Acrylic collage on paper
32 1/2h x 26w in
82.55h x 66.04w cm
Framed: 38 49/127h x 31 113/127w in
97.50h x 81w cm
Mary Reid Kelley
Ms. Millet, 2014
Collage, watercolor and charcoal on paper
Framed: 27 1/2h x 24 1/2w in
69.85h x 62.23w cm
Mary Reid Kelley
Jesus, 2013
Collage, watercolor, charcoal and acrylic on paper
Framed: 31h x 22w in
78.74h x 55.88w cm
Mary Reid Kelley
Marat's Bath, 2011
Mixed media
Platform: 53 7/8 x 17 3/4 x 1 1/2 inches
Chairs (two): 43 1/8 x 19 7/8 x 16 inches
Tub: 8 3/4 x 24 5/8 x 14 inches
Knife: 16 x 1 3/4 x 3/4 inches
Mary Reid Kelley and Patrick Kelley
A Female is a Living Monument, 2017
Lightbox
20 x 20 x 1 3/4 inches
Edition of 12
Mary Reid Kelley and Patrick Kelley
I Feel ya, Orphelia, 2017
Lightbox
72 x 36 x 1 3/4" inches
Edition of 3
Mary Reid Kelley and Patrick Kelley
I Regret, Juliet, 2017
Lightbox
72 x 36 x 1 3/4 inches
Edition of 3
Mary Reid Kelley and Patrick Kelley
Film still from Swinburne's Pasiphae, 2014
High definition video with sound
8:58 minutes
Mary Reid Kelley and Patrick Kelley
Fim still from Priapus Agonistes, 2013
High definition video with sound
15:09 minutes
Mary Reid Kelley and Patrick Kelley
Fim still from Priapus Agonistes, 2013
High definition video with sound
15:09 minutes
Mary Reid Kelley and Patrick Kelley
Fim still from Priapus Agonistes, 2013
High definition video with sound
15:09 minutes
Mary Reid Kelley and Patrick Kelley
Fim still from Priapus Agonistes, 2013
High definition video with sound
15:09 minutes
Mary Reid Kelley
Minotaur in Labyrinth, 2013
Collage of watercolor, gouache, and charcoal
32 x 24 inches
Mary Reid Kelley
Pasiphae with Bull, 2013
Collage of watercolor, gouache, and charcoal
41 x 29.5 inches
Mary Reid Kelley and Patrick Kelley
Fim still from Priapus Agonistes, 2013
High definition video with sound
15:09 minutes
Mary Reid Kelley
Ariadne, 2014
Collage, watercolor, and acrylic on paper
30 x 22 inches
Mary Reid Kelley and Patrick Kelley
Film Still from The Syphilis of Sisyphus, 2011
High definition video with sound
11:02 minutes
Mary Reid Kelley and Patrick Kelley
Film Still from The Syphilis of Sisyphus, 2011
High definition video with sound
11:02 minutes
Mary Reid Kelley and Patrick Kelley
Film Still from The Syphilis of Sisyphus, 2011
High definition video with sound
11:02 minutes
Mary Reid Kelley and Patrick Kelley
Film Still from The Syphilis of Sisyphus, 2011
High definition video with sound
11:02 minutes
Mary Reid Kelley
Sisyphus at her Toilette, 2012
Collage, watercolor, acrylic on paper
21 x 32 inches
Mary Reid Kelley
Marie Antoinette Saltimbanque, 2011
Collage, watercolor, acrylic on paper
18.5 x 15.5 inches
MARY REID KELLEY
Polyamorous Bride, 2012
Collage, watercolor, acrylic on paper
26 x 32 inches
MARY REID KELLEY
Film still from You Make Me Iliad, 2010
High definition video with sound
14:49 minutes
MARY REID KELLEY
Film still from You Make Me Iliad, 2010
High definition video with sound
14:49 minutes
MARY REID KELLEY
Film still from You Make Me Iliad, 2010
High definition video with sound
14:49 minutes
MARY REID KELLEY
Film still from You Make Me Iliad, 2010
High definition video with sound
14:49 minutes
MARY REID KELLEY
Lineup, 2011
Acrylic collage with charcoal
10 x 23 inches
MARY REID KELLEY
Morals Police, 2012
Collage, watercolor, acrylic on paper
20 x 31 inches
MARY REID KELLEY
Prostitute, 2011
Arcylic collage with charcoal
18 x 15 inches
MARY REID KELLEY
Film still from Sadie, the Saddest Sadist, 2009
Standard definition video with sound
7:23 minutes
MARY REID KELLEY
Film still from Sadie, the Saddest Sadist, 2009
Standard definition video with sound
7:23 minutes
MARY REID KELLEY
Film still from Sadie, the Saddest Sadist, 2009
Standard definition video with sound
7:23 minutes
MARY REID KELLEY
Film still from Sadie, the Saddest Sadist, 2009
Standard definition video with sound
7:23 minutes
MARY REID KELLEY
Film still from The Queen's English, 2008
Standard definition video with sound
4:20 minutes
Mary Reid Kelley
Film still from The Queen's English, 2008
Standard definition video with sound
4:20 minutes
MARY REID KELLEY
Film still from The Queen's English, 2008
Standard definition video with sound
4:20 minutes
MARY REID KELLEY
Untitled (The Queen's English), 2009
Watercolor on paper
9 x 12 inches
“In bringing up these bodies and tragicomically bastardizing their ghosts,
(Mary Reid Kelley and Patrick Kelley) not only give voice to those omitted from official histories but demonstrate the possibility of such resuscitations. They exemplify how historical plotlines and the words of those populating them can be co-opted and cut loose; how the language that defines us is only ours until death do us part with the right to control it. In this, they call for both an enacting of artistic violence against sanctioned narratives that promote convention and ‘morality’, and an increased suspicion of artistic agency itself. For, while these bodies rest six feet deep, the words that animate them bounce freely on the surface, their looping arcs determined by anyone who thinks to reach out a hand, snatch and throw.”—Harry Thorne, Frieze
Mary Reid Kelley creates a female-focused reinterpretation of myth and history to subvert dominant narratives. Her work blurs meaning in favor of an aggressive and unresolved continuum. Made in collaboration with her partner Patrick Kelley, her graphically stylized videos combine painting, performance, and her distinctive wordplay-rich poetry.
Recent solo exhibitions include: Mary Reid Kelley and Patrick Kelley: Blood Moon, The Fabric Workshop, Philadelphia (2021); The Rape of Europa: Mary Reid Kelley and Patrick Kelley, the Isabella Stewart Gardner Museum, Boston (2021); Rand/Goop: Mary Reid Kelley and Patrick Kelley, Studio Voltaire, London (2019); Mary Reid Kelley and Patrick Kelley – We Are Ghosts, Tate Liverpool, Liverpool (2017); Mary Reid Kelley, MUDAM Luxembourg (2017); We’re Wallowing Here In Your Disco Tent, The High Line, New York (2016); Mary Reid Kelley, M – Museum Leuven, Leuven (2016); A Marquee Piece of Sod – The WWI Films of Mary Reid Kelley, Kunsthalle Bremen, Bremen (2016); Hammer Projects: Mary Reid Kelley, The Hammer Museum, Los Angeles (2015); Mary Reid Kelley, Neuer Kunstverein Wien, Vienna (2014); and Mary Reid Kelley, The Institute of Contemporary Art/Boston (ICA), Boston (2013). Their work has appeared on the cover of Frieze and Artnews, and they were featured on season 6 of the PBS series Art21. They have received MacArthur Foundation Genius Grant, Rema Hort Mann Foundation Grant, Joseph H. Hazen Rome Prize and the Balois Prize at Art Basel.
Corpus Meets Corpse
Tackling the subject of war with a contemporary relevance…
Under a metahistorical guise, the filmmaking duo enact hidden tyrannies of the contemporary age, making them equal parts legible and ludicrous.
For her first museum show in LA, artist Mary Reid Kelley reimagines mythology from a woman’s point of view.